あけましておめでとうございます
今年の年始は家族団欒、初詣、漫画語り飲み、競馬&ユーフォ定期演奏会と充実してました
本日は有給なんですが、明日から労働するのが嫌過ぎる
では新年一発目の感想行きます
Happy New Year! This year's New Year's holiday was fulfilling with family gatherings, visiting a shrine for the first time in the year, manga discussion drinking sessions, and a horse race & Euphonium regular concert. I'm taking paid leave today, but I absolutely hate the thought of going back to work tomorrow. So, let's get to the first review of the new year.
目次
イチ
ワンピ
ウィッチ
さむわん
逃げ若
いいかげん気付け
あかね噺
アオハコ
バチ
モジュロ
ひまてん
鵺
後書き
Table of Contents: Ich, One Piece, Witch, Summertime Rendering, Nigewaka, Idiotic Don't Notice, Akane Banashi, Ao no Hako (Blue Box), Bachi, Module, Himitsu no Tentai (Secret Heavenly Body), Nue's Afterword
年始の漫画感想飲みで「これで止まっちゃうキャラ好きじゃないんすよね〜」と言う感想を聞き、わかるなーと思ってたところにこれだったので、まあそんなもんかなーと思いながら読んでました
極論、リブロが出てきてから予想通りのことしか起きてないからなぁ
デスカラスの動機が知れたり、かっこいいコマがあったりはしたけど
まあこの先どうするかですね
ゴクラクの時は結構無難に終わった記憶があるけど
During a manga review drinking session at the beginning of the year, I heard the sentiment, "I don't like characters who stop here," and I agreed. So, when I saw this, I read it thinking, "Well, I guess that's how it is." In the extreme, since Libro appeared, only expected things have happened. I learned about Desculas's motives, and there were cool panels, but what will happen from here on out? I have a memory of Gokuraku ending pretty safely.
ロキはなんの実食べたんだろうな
変身の仕方的にゾオンみたいだが
シルエットが馬っぽかったのでウマウマの実モデルスレイプニルとかかなって思ったけど、スレイプニルモチーフの馬は登場済みだし
そもそも手の感じが違うし
で、ラグニルがリスだったことからラタトスク枠もこいつなのかなと思ったんですけど、wikiにあった画像が他のシルエットと似てて、ラタトスクの可能性あるか？とちょっとおもいました
I wonder what kind of fruit Loki ate. The way he transforms makes it seem like a Zoan, but the silhouette looked like a horse, so I thought maybe the Uma Uma no Mi, Model: Sleipnir? But a Sleipnir-motif horse has already appeared, and the hands feel different. Since Ragnil was a squirrel, I wondered if he was in the Ratatoskr slot, but an image on the wiki looked similar to other silhouettes, making me think, is there a possibility of Ratatoskr?
まあ違うかな最近ゾオン多いなぁ僕はなんやでロギアが好きだから復権して欲しい
Well, maybe not. There are a lot of Zoans lately. I like Logias, so I want them to make a comeback.
音夢ちゃんが可愛い
ウィッチにバトルはあんまり期待してないのが正直なところだけど、なんやでこういう「これから」って展開はワクワクするなぁ
Otomu-chan is cute. To be honest, I don't expect much from the battles in Witch Watch, but somehow this "from now on" development is exciting.
ベタだけどええやん
やっぱ学生の頃の徹夜は大人になってから味わえない特別感があるよなぁ
It's cliché, but it's good. After all, the all-nighters you pull as a student have a special feeling that you can't experience as an adult.
そして次週巻頭！
17話で巻頭獲得は普通にすごいですね
And next week, it's on the cover! Getting the cover with chapter 17 is pretty amazing.
尊氏の「死んでくれ」良いなぁ
気持ちに反する要求をせざるを得ないシチュエーションと、それに臨む覚悟と、それでもなお滲み出る涙と、とにかく葛藤が見えるのが良い
ここ最近のモジュロの「出ていってくれ」と同じ良さがあるんだけど、逃げ若の方がシチュエーションの整理と感情の見せ方が優しいですね
モジュロのはモジュロので想像する余地が多いのと、感情を押し殺せるかっこよさがあって良いので、どっちも見れて僕は嬉しいです
尊氏の和歌も良かったなぁ
このまともに戻った尊氏が言うから意味があるよな
この世界の尊氏も、実際「何か」のせいだけじゃなかったんだろうな
実際何かは自分で受け入れたし、やり過ぎたことはあったにせよ、それを全て自分の意思ではないとすることはできないだろうし、その境目は誰にもわからないよな
大人になると逃げられなくってメッセージも少年漫画的には含むところが多くて良いのでは？
良い決着だった
Takauji's "Die for me" is good. The situation of being forced to make a request that goes against one's feelings, the resolve to face it, and the tears that still seep out are all good because you can see the conflict. It has the same goodness as Module's "Get out of here" recently, but Nigewaka is gentler in organizing the situation and showing emotions. Module's has more room for imagination and the coolness of suppressing emotions, so I'm happy to see both. Takauji's waka poem was also good. It has meaning because Takauji, who has returned to his senses, says it. Takauji in this world probably wasn't just the fault of "something." He accepted something himself, and even if he went too far, he can't say that it was not all his own will, and no one knows the boundary. The message that you can't run away when you become an adult also has a lot to include in terms of shonen manga, doesn't it? It was a good conclusion.
女の子は可愛かったって感じだったな〜
作中に男視点がほぼなかったせいか、感情移入があんまりできずそんな感じの感想で終わってしまった
Vとか好きなオタクくんは自分の妄想を具現化してもらったような感覚で読めるんかな〜、とも思うので、単に僕向けではなかっただけな気もしますが
まあ女の子可愛いかどうかが全てなのでそう言う意味ではちゃんと良かったです
あとライブシーンとかメチャ顔見さしてそうな感じだったけど顔見せしてなかったんじゃ？と思ってしまった
これに関してはどっちでも良いけど
The girl was cute, I guess. Maybe because there were almost no male perspectives in the story, I couldn't empathize with it, and it ended with that kind of impression. I think otakus who like VTubers might be able to read it with the feeling that their fantasies have been realized, so maybe it just wasn't for me. But whether the girl is cute is everything, so in that sense, it was good. Also, I felt like they were showing faces a lot in the live scene, but weren't they not showing faces? It doesn't matter either way in this regard.
死神にはいろんなサゲがあるってどっかで聞いたんですが
実際Wiki見たらえぐいほど種類あってビビりますね
種類というか、もう人ごとに違う
まさに今週の内容の通りで、人によって語り口が違うのはマジなんだろうな
特に2台目快楽亭ブラックとかいう人の、蝋燭プレイを始めるってやつは笑いました
アホかと
しかしなんか、少年漫画的にもアツい展開になってきたなぁ
こういう一人一つの特殊能力みたいなものは少年バトル漫画の醍醐味だし、（あかねはこれまでもそういう要素をたくさん出してたけど）同じ演目で違いを出すことでより個性が際立っていきそうでワクワクする
I heard somewhere that there are various ways to perform "Shinigami," and when I actually looked at the Wiki, there were a terrifying number of types, which surprised me. Or rather, it's different for each person, just like this week's content. The way of telling the story is really different depending on the person. In particular, the person called 2nd Generation Kaikatei Black, who starts candle play, made me laugh. I thought, "Are you an idiot?" But somehow, it's become a hot development like in a shonen manga. These kinds of special abilities, one for each person, are the real thrill of shonen battle manga (Akane has been putting out a lot of those elements until now), and I'm excited that differences in the same performance will make each individual stand out even more.
アオハコのスポーツ描写はあんまり好きではないですが、最近は比較的良い気もする
試合中に菖蒲といちゃつくメガネくん…🤓
I don't really like the sports depictions in Ao no Hako, but recently they feel relatively good. The guy with glasses flirting with Ayame during the match...🤓
流石妖刀を折る妖刀
涅は妖刀の破壊、猩は妖刀の力のコピー、じゃあ錦はというと無効化か
ガンメタ性能っすね
ここからが主人公ですね
楽しみすぎる
炎の中の座村と明無良の一瞬の攻防もクソかっこよかった
As expected, a demon sword that breaks demon swords. Nirvana is the destruction of demon swords, Sho is the copying of the power of demon swords, so what is Nishiki? Nullification or gunmetal performance. This is where the protagonist starts. I'm too excited. The momentary exchange between Zamura and Akimitsura in the flames was also damn cool.
真剣おまえ、仮面ライダーだったのか
芥見が呪術廻戦の前にプリキュアみたいな企画を出して没にされたのは、漫道コバヤシの赤玉登場回を見ている人にとっては有名な話ですが、まさか同じニチアサでもこっちにいくとは（里香が妖精みたいなもんだからほぼプリキュアか？）
でもまあ、マルの戦闘描写だけ見てる感じ、鹿紫雲くらいはあってもおかしくない雰囲気出してるし、術式の性質的にも特級になれるスペックしてるので、こっちも特級出して行かんとそら追いつかんよな
今週のアクションは本当に派手でよかったですね
呪術廻戦らしい現代（未来だけど）都市の中でめちゃくちゃやるバトルが気持ち良過ぎた
空に向かって落ちていく描写とか、マルの車ラッシュ死ぬほどかっこよかった
あと武器をサラッと捨てるのも呪術っぽいですよね
最近のバトル描写は岩崎作画で良かったと思わされる瞬間も多いですね
別に芥見でも良かったかもだけど、もうアニメ化したものを見てるかのような感覚になることが多い
流れだけじゃなくて一枚絵のかっこよさでも見れるコマが多すぎる
それこそ今週だと、変身真剣は岩崎作画だからカッコよく見えてるんじゃないかと思うところはある
と、バトルだけでも語れることが多いのにその他の部分にも情報が詰め込まれてるのは流石
虎杖と乙骨パパ（キッズ？）の会話とか
あと天国あるんや…とか、憂太のお願いはどこ出したものなのかとか（死ぬ前なのか、まじで天国から干渉してきたのかとか）
あと、里香の語彙が微妙に成長してるところとか
愚問、なんて言わなかっただろうし、「んまぁー」は結構おばさんっぽいし（それか青キジ）
Makoto, you were a Kamen Rider? It's a famous story for people who have seen the Akatama episode of Mando Kobayashi that Akutami submitted a Precure-like project before Jujutsu Kaisen and it was rejected, but I never thought he would go this way even in the same Nichiasa (Since Rika is like a fairy, it's almost Precure?). But well, just looking at Maru's battle depictions, he's giving off the atmosphere that he could be around Kashimo, and in terms of the nature of his technique, he has the specs to become a special grade, so if you don't put out a special grade here, you won't be able to catch up. This week's action was really flashy and good. The battle that goes crazy in a modern (but future) city that feels like Jujutsu Kaisen was too good. The depiction of falling towards the sky, and Maru's car rush were so cool. Also, casually discarding weapons is like Jujutsu. There are many moments when I'm made to think that the recent battle depictions were good with Iwasaki's drawings. It might have been good with Akutami, but I often get the feeling that I'm watching something that has already been animated. There are too many panels that can be seen not only in the flow but also in the coolness of a single picture. That's why, this week, I think the transformation Makoto looks cool because it's Iwasaki's drawing. There's a lot to talk about just with the battles, but the fact that information is packed into other parts is as expected. The conversation between Yuji and Yuta's dad (kids?) and also, there's a heaven... and where did Yuta put his request (before he died, or did he really interfere from heaven, etc.) and also, Rika's vocabulary is subtly growing. She probably wouldn't have said 'foolish question,' and 'Hmm' is quite old-lady-like (or Aokiji).
パジャマ、良いよな
意外とパジャマ見られても恥ずかしがらないポノカは図太いのかもしれない
ラスゴマはもう勝ちヒロイン宣言にしか見えないが…
あと今週はポニョ〜ンがあって良かったです
Pajamas are good, aren't they? Ponoka might be brazen for not being embarrassed even when people see her pajamas. The last panel looks like nothing but a winning heroine declaration... and this week was good because there was Ponyon.
球磨川メソッドだなぁ
あの顔の皮剥いだやつ
空亡は失敗したけど
しかし今回のバトルで勝ったらヒロイン一人追加はかなり美味しいぞ！
月歌可愛かったし
あと町田
さらっと告白してきましたがガチで良いっすね
学郎、ちゃんとかっこよくなってからモテ始めてて好感度高い
It's the Kumagawa Method. The guy who peeled off that face skin, Kuubou, failed, but if he wins this battle, adding one more heroine is pretty delicious! Tsukika was cute, and Machida confessed casually, but it's really good. Manabu is starting to become popular after becoming properly cool, so he has high approval.
ということで、今年も相変わらずやっていくのでよろしくお願いします
来週はまた開いちゃいますが
あとがきでユーフォ定演を語ろうかとも思ったんですが、なんとなく疲れているのと、本日ジャンプコミックス発売日な上、バチとモジュロが出るということでさっさと切り上げようかなと思います
ではまた再来週ー
So, I'll be doing this as usual this year, so please bear with me. It will be open again next week, and I was thinking of talking about the Euphonium regular concert in the afterword, but somehow I'm tired, and since today is the release date of Jump Comics, and Bachi and Module are coming out, I think I'll cut it short quickly. See you again the week after next!
