マチアソビ行ってきました
朝5時に家を出て（まだ星が見えるくらい暗かった）、友人の車に乗せてもらい日帰りで
一日中歩き回って食べ歩きしたりイベントを見たりして、最後亜咲花と鈴木このみのライブを見て帰りました
ライブがやばすぎて腕が痛いです
あと、このブログは目次とヘッダーをテンプレ用に置いておいて、作品名は毎週手動で書き換えるような形式をとってたんですが
こういう作業はAIにやらせるべきだと今更気づき今日からそうしてます
カーソル移動しなくていいし、目次とヘッダーで2回おんなじ文字を打ち込まなくて済んで楽
ではジャンプの感想を手動で書いていきます
I went to Machi Asobi. I left my house at 5:00 AM (it was still dark enough to see the stars), got a ride in my friend's car, and spent the whole day walking around, eating, and watching events. Finally, I watched Asaka and Konomi Suzuki's live performance before heading home. The live performance was so amazing that my arms hurt. Also, this blog used to have a table of contents and header set up for a template, and I would manually rewrite the work titles every week. I've just realized that I should have AI do this kind of work, and I'm doing that from today. It's easier because I don't have to move the cursor, and I don't have to type the same characters twice in the table of contents and header. Now I'm going to manually write my impressions of Jump.
目次
イチ
ウィッチ
モジュロ
アオハコ
バチ
さむわん
あかね
妖鉄甲のクロ
ひまてん
鵺
逃げ若
ロボコ
ピングポング
カエデガミ
後書き
Table of Contents: Ichii Witch Module Aoha Ko Bachi Sum Wan Akane Yōtekko no Kuro Hima-ten Nue Nige Waka Robo-ko Ping Pong Kaedegami Postscript
いきなりウロロ使うの、イチらしくていいですね
キザシはウロロ特化の前と後で胸の数字が減ってるので残機性っぽいな
残機の機とは字が違うけど
こういう敵はウロロみたいな作中最強格キャラの強さを見せるのに打ってつけだよな
一撃で終わらないけどボコボコにしがいがあるので
敵幹部の存在も示唆されたし、ウロロが体乗っ取れることもわかり、先の展開に期待が持てる回だった
Using Uroro right away is so Ichii-like. Kizashi's chest numbers decrease before and after Uroro's special attack, so it feels like a remaining lives system. The 'ki' in 'remaining lives' is a different character, but these kinds of enemies are perfect for showing the strength of the strongest characters in the story, like Uroro. It doesn't end in one hit, but it's satisfying to beat them up, so the existence of enemy executives was also hinted at. We also learned that Uroro can take over bodies, so this episode made me look forward to the future development.
高校生ニコ久しぶりだな
ニコがいない間しかできないネタをしばらくやるんだろうなと思ってたけど、思ったより早く帰ってきた気がする
まあやりたくなったら理由つけてニコを外出させればいいだけではあるしな
It's been a while since we've seen high school student Nico. I thought they would do stories that could only be done while Nico was away for a while, but it feels like she came back sooner than I expected. Well, if they want to do something, they can just make up a reason to send Nico out.
面白い
昨今の社会問題を取り入れまくってると思ってはいたけど、話の根幹は移民問題か
エンタメで触れることが忌避されそうな問題にガシガシ触っていくの、僕としてはすごい楽しい
今週がまさにそういう話だったけど、同じ問題をちゃんといろんな視点から描いてるから意見の押し売り感がなくて個人的にはストレスたまらないんだよな
ジャンプ漫画がグローバルなコンテンツになってるからこそやるべき話だなとも思うし
僕が芥見好きなのもあるけど、テーマ選択とストーリーの組み込み方に痺れてます
呪術の、特に幼魚と逆罰みたいな1人の人間に終始する感情の話も大好きだけど、モジュロのそれは連載を一度終えて、1段階大人になったから描ける内容な感じがします
何より、現実の問題と離れた、作中特有の問題提起（絵が生き物なら踏み絵をできるか）って話が小さいコマながら印象に残るいい問いかけだったのも良い
メッセージを入れすぎて漫画としての面白さは損ってないなと僕は思います
憂花の寿命がない設定も衝撃でした
余命宣告は今回されたっぽいけど、本人も薄々察してたようなリアクションでしたよね
こういう時に「私は不幸だから何しても許されるべき」みたいな自暴自棄な結論に走らないのが、クロスと対比されてて良かったです
なんでそんな結論を急ぐの？は情報が氾濫しててどこかしらに答えらしいものが転がっている現代においてすごい大事な投げかけな気がします
正解がないから、とりあえずの結論を導出する過程が大事な問題もあるはずなのに、クロスのような極論ばかりが声が大きくて、溝が深まるばかりになってしまっていることはいくらでもあるのではないかと思いますし
それを弁えて情報を得ることが今求められてるリテラシーなのでは？と思うことがしばしばあります
それと真人っすね
呪術のキャラで、悪役として一番好きなのは間違いなくこいつなので、出てくるのは嬉しいし
何より本編で真人や漏瑚が言っていた呪いが巡るって話が回収されるんだとしたら嬉しい
単行本一巻の内容はここまでですが、さすがに一巻出たら買う
あと、こういうところでツッコミがこないようにしてるのが芥見らしいなと思いました
It's interesting. I thought it was incorporating a lot of current social problems, but the core of the story is the immigration problem. I really enjoy the fact that they are tackling issues that might be avoided in entertainment. This week was exactly that kind of story, but because they are depicting the same problem from various perspectives, it doesn't feel like they are pushing their opinions on me, so I personally don't get stressed out. I also think it's a story that should be told because Jump manga is becoming a global content. I also like Akutami, but I'm fascinated by the theme selection and how the story is put together. I also love Jujutsu Kaisen, especially the emotional stories that focus on one person, like 'Young Fish and Reverse Punishment,' but I feel like Module's story is something that can only be drawn after ending a series once and becoming one step more mature. Above all, the question of whether you can do a fumie if the picture is a living creature, which is a problem specific to the work and separate from reality, was a good question that left an impression even in the small panels. I don't think the fun of the manga is lost by including too many messages. The setting that Yuka has a limited lifespan was also shocking. It seems like she was given a terminal diagnosis this time, but her reaction was as if she had vaguely sensed it herself. I liked that she didn't jump to a reckless conclusion like, 'I'm unhappy, so I should be allowed to do anything,' which contrasted with Cross. Why are you rushing to such a conclusion? I feel like that's a very important question to ask in this day and age, where information is overflowing and there are answers everywhere. There are some problems where the process of deriving a tentative conclusion is important because there is no right answer, but I think there are many cases where only extreme opinions like Cross's are loud and the gap is only widening. I often think that obtaining information with that in mind is the literacy that is required now. Also, it's Mahito. He's definitely my favorite villain character in Jujutsu Kaisen, so I'm happy to see him appear, and above all, I'd be happy if the story that Mahito and Jogo were talking about in the main story, about curses circulating, is being revisited. The content of the first volume is up to this point, but I'll definitely buy it when the first volume comes out. Also, I thought it was very Akutami-like that he's making sure that there are no criticisms coming in at these points.
さすが、好きな反対は無関心について担当に突っ込まれたことを根に持って単行本のおまけに恨み節を書いた上に（作者の働きかけがあったかは不明だけど事実として）アニメの脚本を原作から変えさせた男
As expected, he's the man who, having been told by his editor that the opposite of liking is indifference, held a grudge and wrote a rant in the bonus pages of the collected volume (it's unclear whether the author was involved, but as a matter of fact), and even had the anime's script changed from the original.
恋愛模様が動き出すとやはり嬉しい
匡はほぼ告白みたいなこと言っとるし、ちゃんと前回のこと反省して戦ってるなって感じ
遠回しではあるけど、いきなり「え、てか俺ら付き合わん？」みたいなこと言うよりらしくていいですね
勝ち確ルートに乗ってるこいつらは安心して観れるけど、対して雛ちゃんはどう攻めるのか、次回超期待してます
I'm always happy when the romance starts to move. Kaname is saying something almost like a confession, and I feel like he's properly reflecting on what happened last time and fighting. It's roundabout, but it suits him better than suddenly saying, 'Hey, so are we going out or what?' I can watch these guys who are on the winning route with peace of mind, but I'm really looking forward to the next episode to see how Hina-chan will attack.
今回は萩原リブート回か→敵の位置特定までするのか！→倒すとこまでやるんか！！
と、隙を生じぬ三段構えでわろた
話を進めることにもキャラを殺すことにも躊躇がないなぁ
さすがに毘灼の数少ないキャラだし、これで終わることはないのかなーとは思ってるけど…
北兜もそんな感じだったし（最初デクが戦闘描写なく瞬殺されてた）
This time it's a Hagiwara reboot episode? → They're even locating the enemy's position! → They're even going to defeat them! I laughed at the flawless three-stage strategy. They don't hesitate to move the story forward or kill off characters. He's one of the few characters of Bishaku, so I don't think it'll end with this... but that's how Hokuto was too (Deku was instantly killed without any combat depiction at first).
来週センターカラー！やったね
クラゲちゃんは可愛いもんな
今週もちょっとドキっとするシーンもありつつ安定して面白かった
甲子園の話も出てるけど、この調子でゆるゆるやってほしいぜ
Center color next week! Yay! The jellyfish are cute. This week was stable and interesting with some slightly thrilling scenes. They're also talking about the Koshien tournament, but I want them to keep going at this leisurely pace.
出来レースの講評パートはすっ飛ばして次へ
ノンストレスで良い
個人的に舞台の後倒れるって劇的だけどプロ意識はないよなと思うところなので、そこをちゃんと注意してるのも現代ナイズされたノンストレス要素
来週の飲み会めちゃ楽しみだな
It's good that they skipped the prearranged commentary part and moved on to the next one without any stress. Personally, I think it's dramatic but lacks professionalism to collapse after a performance, so I appreciate that they are properly paying attention to that, which is a modern, stress-free element. I'm really looking forward to next week's drinking party.
妖怪退治に民俗学者連れてくる発想は、最近民俗学博物館に通っている僕としてはすごい好きだった
妖鎧とかいう駄洒落で作っただけみたいなしょーもない設定も、それをちゃんとカッコよく見せてた決めゴマも良かったです
ただ、個人的には説明パートが説明パートすぎるのがちょっと読みづらかった…
今説明されてるなーと思いながら読んでたので
せっかく民俗学者がいるなら土蜘蛛伝承に準えた話をしつつ攻略してくれた方が僕は嬉しかったかも
みたいな話とか聞きたかった感もある
もったいねぇ
I really liked the idea of bringing a folklorist to hunt yokai, as someone who's been going to folklore museums lately. I also liked the silly setting of the Yōroi, which sounds like it was just made up with a pun, and the decisive panel that made it look cool. However, personally, I found the explanation part to be too much of an explanation... I was reading while thinking, 'I'm being explained to now,' so I would have been happier if they had conquered it while talking about the legend of Tsuchigumo, since there's a folklorist there. I also wanted to hear things like that. What a waste.
モテる男は辛いな
各ヒロインにそれぞれ応援してくれるキャラいるの改めて思うと珍しいような
It's tough being a popular guy. It's rare to see each heroine having a character who supports them.
国瑠璃拿月
もうめちゃくちゃ
Kuni Ruri Nazuki is a mess.
その服で動くのはなるだけ控えたほうがいいかも
俺は嬉しいけど
こいつだけ部隊加入じゃなくて嫁入りのつもりできてるの、鵺の言う通り強すぎる
正直毎週えっちで助かっているので今後もよろしくお願いしたい
冒頭、学郎がキスを回避する策を提案するところも結構良かった
純粋に笑ったし、ちゃんとキス回避できるように成長してるの笑える
あと、作者の巻末コメントのチョコエッグ開封編すごく楽しみにしてたんだけど今週ついに完結して感動しました
カラーに合わせて盛り上げてきたな
You should refrain from moving around in that outfit as much as possible. I'm happy, but it's too much that only she is coming to join the unit with the intention of getting married, as Nue says. Honestly, it's helpful that it's erotic every week, so I hope you'll continue to do so in the future. At the beginning, I also thought it was pretty good that Gakuro proposed a plan to avoid a kiss. I laughed purely, and it's funny that he's growing up so that he can properly avoid a kiss. Also, I was really looking forward to the chocolate egg opening edition in the author's end-of-volume comments, and I was moved that it finally concluded this week. They've been building up to it to match the color page.
昨晩気の迷いで逃げ若を先に読んでおいて良かった
体調悪い時に読んだ方が気分悪くて良い回だったように思います
読者に干渉してくる、とはいえ漫画なのでどう足掻いてもルートは一つなんだけど、演出の気持ち悪さで読みがいあった
歴史改変能力って未来まで見通せる力なのか
そういえば頼重も読者のリアクションとか気にしてたなーって思ったり
歴史の勝者側からではなく敗者側から物語を見せるこの漫画は、尊氏の最後の手段を封じるために頼重が仕組んだ一手だったのかもしれない
I'm glad I read Nige Waka last night on a whim. I think it was a better episode to read when I wasn't feeling well. It interferes with the reader, but it's still a manga, so no matter how much you struggle, there's only one route, but the creepiness of the presentation made it worth reading. Is the historical revision ability the power to see into the future? Come to think of it, Yorishige was also concerned about the readers' reactions. This manga, which shows the story from the perspective of the losers rather than the winners of history, may have been a move planned by Yorishige to seal Taka Uji's last resort.
さむわんへるついじりが早い
ロボコにいじられる新連載は一人前感あるな
The Sum Wan harassment is fast. A new series being harassed by Robo-ko feels like it's a full-fledged series.
最後までやることやってくれそうで嬉しい
やっぱこういう勢いの漫画は宇宙行かないとなってグレンラガンとキルラキル見た時から思ってる
アクションかっこいいし今週も良かったが、うちからなんだよなぁ…
I'm glad they seem like they'll do everything they can to the end. I've been thinking since I saw Gurren Lagann and Kill la Kill that manga with this kind of momentum has to go to space. The action is cool, and this week was good too, but it's from my house...
完結！
あんま感想書かなかったけど、ぶっちゃけこれが明確に好きじゃないとかはなかったけど、これが明確に好きもなかったんだよな〜という印象
この先こんなものが見れるかも！という期待がなかったのがよくなかったのかも
キャラもずっと見てたいってほどの魅力は感じられなかったし
縦軸としてあった体を探すって話も、多分一番インパクトのある顔は初手で取り返しちゃったし
呪術廻戦ですら指集めにワクワクしてた人いないだろうしなぁ
ウィッチウォッチの蝶集めの方がもうちょっとよくて、ニコが成長するって変化があるから「中学生になったら思春期ネタがあるんだろうな」みたいな展開への期待と、ビジュアルの変化の期待があったよなーとか思ったり
今回手が手に入ったことの感動とかもそこまでなかったしなぁ
なんか手がないとできないことを印象的なエピソードと共に語られてたりしたら話違ったのかもだけど
中国妖怪モチーフなのは封神演義とか十二国記好きな僕としては嬉しかったんですけどね
Finished! I didn't write many impressions, but to be honest, it wasn't that I clearly disliked it, but it wasn't that I clearly liked it either. I had the impression that there was no expectation that I might see something like this in the future, and maybe that was bad. I didn't feel that the characters were so appealing that I wanted to keep watching them, and the story of searching for a body, which was the vertical axis, probably had the most impactful face recovered at the beginning, and even in Jujutsu Kaisen, there weren't many people who were excited about collecting fingers. I think the butterfly collection in Witch Watch is a little better, and there's an expectation for the development of 'There will be puberty stories when Nico becomes a junior high school student' because there's a change in Nico's growth, and there's an expectation for visual changes. I didn't feel that moved by the fact that I got my hand this time either. I wonder if the story would have been different if they had talked about things you can't do without a hand with an impressive episode. But I was happy that it was based on Chinese yokai, as someone who likes Hoshin Engi and The Twelve Kingdoms.
マチアソビの翌日は笠懸神事を見てきました
流鏑馬みたいなもんなんですけど、歩兵を狙うような要領で、足元を狙い撃つような的も用意されてるのが特徴
神事と言いつつもかなり競技っぽい段取りで進んでいくもので、初めにでっかい的を狙うファーストステージ「奉射」
そしてちっさい的を狙うセカンドステージ「競射」があり、「競射」に出られるのは奉射の上位メンバーだけです
ちっさい的はなかなか当たらないので、当てた人が出てくるとガチで盛り上がりました
堅苦しいもんかと思ってたけど普通に良かったです
では今週はこんなところで
また来週〜
The day after Machi Asobi, I went to see the Kasagake ritual. It's similar to Yabusame (horseback archery), but it's characterized by targets that are aimed at the feet, as if aiming at infantry. Although it's called a ritual, it proceeds with a fairly competitive procedure. First, there's the first stage of aiming at a large target, 'Hosha,' and then there's the second stage of aiming at a small target, 'Kyosha,' and only the top members of Hosha can participate in 'Kyosha.' The small targets are hard to hit, so when someone hits one, it gets really exciting. I thought it would be a formal event, but it was just good. Well, that's it for this week, see you next week~
