鬼滅観てきました
正直あんまり行く予定なかったんですが、各方面から作画の凄さをプレゼンされて流石に行くかと
実際すごかったですね
技出すたびにゲームの必殺技打ってる時の気持ちよさを感じました
こう既存のもので例えるとそこまですごくない気がしちゃいますけど、繰り返し見られるからこだわって作る必殺技と違って、通常一回きり（しかも数秒）のシーンに同じ爽快さを感じるのってなかなかなくないすか？
クオリティだけじゃなくて、テンポの良さとかカメラの位置とかもあるかもだけど
あと噂に聞いていた無限城のCGは本当にすごかったっすね
ただここまで絶賛してもストーリーの方は僕はあまり好きじゃないなぁと思ってしまった
連載時にそこまでハマれなかった頃からあんま感性変わってないなとおもいました
ジャンプ感想書いていきます
I went to see Demon Slayer. To be honest, I wasn't really planning on going, but after being presented with the amazing animation from various sources, I thought I should go, and it was really amazing. Every time they used a technique, I felt the exhilaration of using a special move in a game. I guess it doesn't sound that amazing if you compare it to existing things, but unlike special moves that are made with care because they can be watched repeatedly, isn't it rare to feel the same exhilaration in a normal, one-time-only (and only a few seconds long) scene? It might be because of the quality, the tempo, and the camera position. Also, the CG of Infinity Castle that I had heard rumors about was really amazing. However, even with all this praise, I didn't really like the story. I guess my sensibilities haven't changed much since I wasn't that into it during the serialization. I'll write my Jump review.
目次
サカモト
イチ
さむわん
バチ
アオハコ
あかね
モジュロ
ひまてん
逃げ若
レンデルシュタイン万貸店
鵺
ピングポング
ルリドラ
後書き
Table of Contents: Sakamoto Days, Ichi no Hoshi, Samon-kun the Summoner, Bachi-Bachi Burning, Blue Box, Akane Banashi, My Hero Academia Ultra Rumble, Himateo, Nige Waka, Lendelstein Pawnshop, Nue's Account, Ping Pong, Ruri Dragon, Postscript
上終かなり好きなんで、今週よかったっすね
銃破壊された時ちゃんと「ぐはっ」って言うんだ
I really like Upper End, so this week was good. He even says "guh" when his gun gets destroyed.
ちょうど昨日、リアルでサーフィンしてきた先輩の話を聞いたとこなのでワロタ
あの人らも魔男だったのかも
箒選ぶ流れかと思ったらとりあえずはコメットで突撃していきましたね
ラストの見開き、パーティメンバーの色の出し方とか、移動方法とか、なんかその辺でテイルズみを感じました
テイルズって途中で空飛ぶ乗り物出てきがちな気がするんですが、コメットはなんかレアバード感感じるんだよな
あと男女比がちょうどトントンだったり
I just heard a story from a senior who went surfing in real life yesterday, so lol. Maybe those guys were magic men too. I thought they were going to choose a broom, but for now they're charging in with a comet. The way the party members' colors are presented in the last spread, the way they move, it all reminds me of Tales. I feel like flying vehicles tend to appear in Tales games, and the comet feels like a rare bird. Also, the male-to-female ratio is just right.
結構良いな
ミメイくん普通にストーカーてしててわろたけど
ツッコミ前提のボケを気持ちよく拾ってくれた時なんかは、人と話してて楽しい瞬間の一つだよなぁ
くらげちゃんが可愛いので今日もハッピー
It's pretty good. Mimei-kun is just stalking normally lol. But when someone picks up on a joke that's meant to be made fun of, it's one of those moments when you enjoy talking to people. Kurage-chan is cute, so I'm happy today.
出し惜しみなし！
しかし敵の首魁の魅せ方としてかなり珍しいパターンを見てる気がするなぁ
こんな必死こいて特大リスクを抱えてまで作戦行動を全線で遂行する敵ってあんま見なくないすか？
成長する敵っていう真人みたいなコンセプトの昼彦はともかく
この場に座村とチヒロが向かってる様子でしたが、真打発動前ならそれこそ主人公サイドがラスボス含む敵2人を蹂躙できてたはずなんだよな
てか普通に漆羽とナツキに押されてたし（今更だけど電撃使いのミサカ兄弟ってとある層のオタクに引っかかる名前だな）
パワーバランスがありがちなそれじゃない
これでもちゃんと面白くなるし、幽の格も出せるんだという面白さがある
てかこれは3週前くらいの話で漆羽の強さを描いてたからこそでもあるよな
No holding back! However, I feel like I'm seeing a pretty rare pattern for how the enemy's leader is presented. I don't see enemies taking such a desperate approach to carrying out operations on the front lines while taking on such huge risks. Leaving aside Hiruko, who has a concept like Mahito of a growing enemy, Zumura and Chihiro seemed to be heading to this place, but before the true strength was activated, the protagonist side should have been able to trample the two enemies, including the last boss. I mean, they were just being pushed around by Urushiha and Natsuki (now that I think about it, the name of the electric user, Misaka Brothers, is a name that catches the attention of a certain group of otaku). There's an interesting aspect to the power balance being different from the usual, and that it can still be interesting, and that Yu's dignity can be shown. I mean, this is because Urushiha's strength was depicted about three weeks ago.
主人公が強者の側に立つと感情移入の対象じゃなくなるなぁ、と感じてしまった
大喜は真っ当に努力してこの立ち位置なので（まあ才能もあろうが）納得できない！みたいな文句はなく、むしろこうじゃないと不自然なんだけど
作品が気に食わんとかじゃなく、己という人間の悲しさを感じる瞬間かもしれない
大喜、俺みたいなオタクのためにずっとアワアワしててくれないか？
リトさんとか学郎みたいに
チーうし君は君みたいに立派じゃないんだ
I felt like the protagonist stopped being the object of empathy when he stood on the side of the strong. Taiki is working hard to get to this position (well, he probably has talent too), so there's no complaint like "I can't accept it!", but rather, it's unnatural if it's not like this. It's not that I don't like the work, but it might be a moment when I feel the sadness of being a human being. Taiki, can't you just keep being flustered for otaku like me? Chi-ushi-kun isn't as great as you, like Rito-san or Gakuro.
あかねの仕草に注目させるような演出
死神をやった志ぐま師匠の時と同じような感じだ
笑わせるなは笑わせに行くなって話はなるほど
前振り段階で「客を見てネタのやり方を変えれるのって強みなのでは？」って話をしてたのがフリになってて良いですね
そういえば、志ぐまの高座で客が見にきていたものって「志ぐまの高座」であって、客に忖度して歪んだ芸じゃないんだよな
そういう意味でこのシリーズは、あかね噺ってタイトルに近づく大きい回なのでは？
あかねの一挙手一投足に注目させるような演出は、あかねの目指すべき見られ方そのものなのかも
てか老舗の蕎麦屋を讃えに使ってるのってすごい的を射てるのでは
よくラーメンオタクが「味がブレてる」とか言いますけど、老舗ならなおのこと、タレを継ぎ足したりしてまで元の味を保ってる感を演出してるわけで
日によって芸の質が違ったら、いくら受けようがそりゃダメでしょって話は実感湧きますね
The way they focus on Akane's gestures is the same as when Shiguma-shisho did the Grim Reaper lol. The story about not going for laughs when you're trying to make people laugh is true, it's good that the story about "Isn't it a strength to be able to change the way you do a routine by looking at the audience?" was a setup. By the way, what the audience came to see at Shiguma's performance was "Shiguma's performance," not a distorted performance that pandered to the audience. In that sense, this series might be a big episode that gets closer to the title Akane Banashi? The way they focus on Akane's every move might be the way Akane should be seen. I mean, using a long-established soba restaurant as a compliment is very apt. Ramen otaku often say "the taste is inconsistent," but in the case of a long-established restaurant, they're trying to maintain the original taste even by adding to the sauce, so the story that it's no good if the quality of the performance differs from day to day, no matter how popular it is, resonates with me.
真剣、伏黒と近いかっこよさあって良いですね
良いやつムーブにあんま嫌味を感じなくて好きです
この虎のエピソード、倫理観を問うてる部分がめちゃくちゃ最近の熊事件を彷彿とさせますね
意識はしてそう
単に流行りに乗っかるだけじゃなくて、異種交流がメインテーマにある今回にはピッタリで、その辺のチョイスはちゃんと上手いなと思いました
サメのおっさんも本当に脈絡なく馬鹿馬鹿しくてよかったです
あとそういえば呪術的に双子は同じ人間って話あったな
だからクロスに使用したのバレるんだきっと
Shinken has a coolness close to that of Fushiguro, which is good. I like that I don't feel much unpleasantness in his good guy moves. This tiger episode is very reminiscent of the recent bear incident in terms of questioning ethics. I think they're aware of it. It's not just jumping on the bandwagon, but it's a perfect fit for this time's main theme of interspecies交流, so I thought the choice of that was really good. The shark dude was really stupid and ridiculous without any context, which was also good. Also, now that I think about it, in Jujutsu Kaisen, twins are the same person, right? That's why it was discovered that he used Cross, I'm sure.
ポノカはやっぱ可愛いな
現代社会で疲れ切ったおじさんの心にゃ、ピュアなポノカの笑顔が沁みるぜ
ポノカとデートできる高校生活が送りたかったなぁ
Ponoka is still cute. Ponoka's pure smile touches the heart of an uncle exhausted from modern society. I wish I could have a high school life where I could go on dates with Ponoka.
こんなに妊娠を確信してそれを読者に教えてくれるキャラエロ漫画以外でいるんだ
いよいよラストバトルだなぁ
Is there any other character besides in an ero manga who is so sure of their pregnancy and tells the readers about it? It's finally the last battle.
万貸店って設定自体はめちゃ良いですね
利息でモノがおっきくなるだけでそのまま返せばオッケーなのはちょっとリスク少なすぎる気がしたけど、雰囲気好きでした
The setting of the pawnshop itself is really good. It felt like there was too little risk in just returning the item as is, with the item getting bigger with interest, but I liked the atmosphere.
鵺の無茶振りに慣れすぎて条件聞く前にOK出すの、かっこいいふうに書かれてたし実際覚悟決まってるのはかっこいいけど、学郎の変なところでてる気がしてちょっと笑える感じがするな
この前に変な方向に極まっててわけわからん宣言をしてるのが余計笑えるのかも
付き合えないけど皆を養い一生支えていく、のところの苦悶の表情とか最高っすね
あとなんか無駄なモノローグ多くて、駆け引き要素が一切なくてただ一人相撲してるだけのかぐや様は告らせたい感を感じる
姫様可愛いしなんでも良いけど
I'm too used to Nue's unreasonable demands, so I say OK before hearing the conditions. It's written in a cool way, and it's actually cool that he's determined, but I feel like Gakuro is showing his weird side, which is a bit funny. Maybe it's even funnier because he declared that he's going to go to extremes in a strange direction before this. The agonizing expression on his face when he says he can't date her but will support everyone and take care of them for the rest of their lives is the best. Also, I feel like there are a lot of unnecessary monologues, and there's no element of negotiation, it's just Kaguya-sama: Love Is War doing a solo act. The princess is cute, so whatever.
渋谷の交差点で卓球、もうワクワクする
舞台設定の時点で毎回期待持たせてくれるの偉いわ
そんで敵もついに卓球のスキルで上のやつだし
これまではピングポングの経験のなさを、相手との圧倒的や卓球スキルの差で補って勝ってたけど、今回はそれもできないんだもんな
負けイベ感あるけど、ちゃんと面白く負けて続いてほしい
掲載順がヤバすぎるので
Table tennis at Shibuya crossing, the stage setting that makes me excited always makes me expect something great. And the enemy is finally good at table tennis skills. Up until now, he has been winning by compensating for his lack of ping pong experience with an overwhelming difference in table tennis skills, but this time he can't do that. It feels like a losing event, but I want it to lose in an interesting way and continue. The order of publication is too dangerous.
クリシェではあるが、だからこそわかる
こういう心を失わず生きていきたいなと思う三十路の秋
It's a cliche, but that's why I want to live without losing this kind of heart in the autumn of my thirties.
久しぶりに月曜に書ききれなかった
昨日は友達と話さないといけないことが多かったand残業で時間取れずでした
火曜日休みでよかった〜
さて、先週末やって楽しかったことはなんといっても民博ゼミナールでした
なにぶん情報量が多すぎるので後書きに講義内容を書くことはしないんですが、ちょっとびっくりしたことがありまして
ゼミナールは1時間半の大学の講義+その後1時間弱くらい講師に直接質問できるコーナーがあるといった内容です
講師はバリバリ現役で最先端の研究をしてる学者なのもあってまあ面白いことばっかり教えてもらえるんですよ
で、これに参加するための費用なんですが
万博記念公園に入れれば追加料金はかからないので、入場料260円で受けることができます
安い！
…と思ってたんですが、どうも勘違いで
ゼミナールを一度受けるともらえるスタンプカード（溜まると景品と交換してもらえる）を見せるとゼミナールがある日はタダで公園に入れるらしく、本当に1円も払わずに講義を受けれるようになってました
民博は国立だし、民族学の裾野を広げる国を挙げた事業だと言われるとまあ納得はするけど、凄すぎるな
ちなみに、今やってる企画展は4000万くらいの予算でやってるらしいです
展示物の船一つを運び込むのに400万かかった（これは往路の話で、復路でも同じだけかかる）らしい
国ってすごい
そんなこんなで今週は終わります
また来週〜
I couldn't finish writing on Monday for the first time in a while. I had a lot of things to talk about with my friends yesterday and I couldn't get the time because of overtime. I'm glad I had Tuesday off~ Well, what I enjoyed doing last weekend was definitely the National Museum of Ethnology seminar. There's too much information, so I won't write about the lecture content in the postscript, but there was something a little surprising. The seminar is a 1.5-hour university lecture + a section where you can directly ask questions to the lecturer for about an hour afterward. The lecturers are active and are doing cutting-edge research, so they teach you a lot of interesting things. And the cost to participate in this is that if you can enter Expo Memorial Park, there is no additional charge, so you can take the lecture for an admission fee of 260 yen. Cheap! ... I thought, but it seems like I was mistaken, and if you show the stamp card that you receive when you take a seminar once (you can exchange it for a prize when you collect enough), you can enter the park for free on the days when there is a seminar, so you can really take the lecture without paying a single yen. The National Museum of Ethnology is a national institution, and it's said to be a national project to broaden the base of ethnology, so I guess I can understand it, but it's too amazing. By the way, the current special exhibition is being held with a budget of about 40 million yen. It cost 4 million yen to transport one of the exhibits, a ship (this is the story of the outward journey, and it costs the same for the return journey). The country is amazing. That's how this week ends. See you next week~
