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最近寝ても疲れが取れずなぜかと思案を巡らせていましたが、これはポケモンをしなくなったからなのでは？と思いました
去年はどこに行くにしてもなるだけ土曜にして、日曜はフリー、みたいなパターンが多かったです
単に疲れるからというのもありますが、週末１日はポケモンをしたいという気持ちが大きかったような気もします
しかしポケモンから解放された今年は興味の方向が発散した上、土日が空いていてもやりたいことがないためガシガシ予定を入れ始め、結果この有様
特に興味の発散の方が問題で、この土日に遊びに行ったのが「生成AIなんでも展示会」と、「アラビア書道の展示」な時点でかなりお察しなところです
僕はなにがしたいんだろうか
この辺の感想は後書きでかくとして、ジャンプの感想書いていきます
Lately, I've been wondering why I can't shake off fatigue even after sleeping. I thought, could it be because I stopped playing Pokémon? Last year, I made sure to go out on Saturdays whenever possible and kept Sundays free, or something like that. It's partly because I get tired easily, but I think I also had a strong desire to spend one day of the weekend playing Pokémon. However, freed from Pokémon this year, my interests have diversified, and even when I have weekends free, I don't have anything I want to do, so I started cramming my schedule, and as a result, here I am. The diversification of interests is particularly problematic. The fact that I went to the "Generative AI Exhibition" and the "Arabic Calligraphy Exhibition" this weekend says it all. What do I even want to do? I'll write about my impressions of these later, but for now, I'll write about my thoughts on Jump.
目次
ワンピ
アオハコ
カグラバチ
あかね
ひまてん
ロボコ
オテル
鵺
ケモノクル
逃げ若
Bの星線
超巡
後書き
Contents: One Piece, Ao no Hako (Blue Box), Kagurabachi, Akane Banashi, Hima no Tentai (The Heavens of Hima), Roboco, Oteru no Koben (Oteru's Ordeal), Nue's Exorcist, Kemono Children, Nige Jouzu no Wakagimi (The Elusive Samurai), B no Hoshi Sen (Star Sign of B), Chojin X, Postscript
ルフィ&ロキ&ハイルディンが動き出す期待感がすごい
あとあのひっくり返るやつオセロなんだ
どっちかというと遊びの能力だったりするんかな
The feeling of anticipation as Luffy, Loki, and Hayrudin begin to move is amazing. Also, that thing that flips over, is that Othello? I wonder if it's more of a playful ability.
恋愛関連の悩みの解像度が高い
僕とは無縁の話ですが、なんか高そうなことはわかるぞ
でも雛ちゃんをそこに巻き込まないでくれ
雛ちゃんだけはコテコテのファンタジーでいてくれないか？
The resolution of love-related worries is high. It's a story I have no connection to, but I can tell it's something profound. But please don't involve Hina-chan in that. Can't Hina-chan just stay in the realm of pure fantasy?
ここかっこよすぎだろ
This is too cool.
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ガキの頃見てたら気ぃ狂うやろなってシーンが定期的に出てくるのえぐいっすねこの漫画
ソクラテスは若者を堕落させた罪で死刑になったと最近知りましたが、歴史から学ぶなら外薗健は死刑にした方がいいかもしれない
このあと空中に飛び出したシーンでも震えましたね
真正面からの妖刀タイマンバトルは刳雲戦以来では？と思ったところで「淵天vs飛宗」ってサブタイ出すのも完璧すぎますね
今週もクソ熱かったので、僕が座村が漆羽を生かす理由がないって話を先週しついたことは忘れてください
The scenes that would mess up a kid's mind if they saw them are regularly popping up, it's intense. I recently learned that Socrates was sentenced to death for corrupting the youth, but if we're learning from history, maybe Ken Sonozaki should be executed. I was also shaken by the scene where he jumped into the air afterwards. I thought, is this the first head-on demonic blade showdown since the Kurumo battle? And then the subtitle "Fuchi Ten vs. Hiso" is just perfect. It was so hot this week, so please forget that I said last week that I thought there was no reason for Soimura to keep Shikiha alive.
あと「18年間固定されていた神経が元に戻ろうとしてる」って発言から漆羽の妖術復活の兆しを感じるんですけど
Also, from the statement that "the nerves that have been fixed for 18 years are trying to return to normal," I feel a sign of Shikiha's demonic art revival.
あかねがやりたいこと見せてくれた！と思ったらまさかの失敗
まあでも読んでても思うところだったんだよな
メタ的にここでネタバラシするということは本番は違うことをやるってことだろ…ってのはもちろんですけど
一つの話の中でいろんな方向に舵を切りまくると、見てる側からしたら「これ何の話だ？」「どう感じたらいいんだ？」ってのがわからなくなるんじゃないかと
悪い意味での我の出し方というか、技術をお披露目したいだけに見えるもんなぁ
勝ち残れてるのは流石だけど、ここから本戦までにどう修正するのか…
Akane showed us what she wants to do! But it was a surprise failure. Well, that's what I was thinking while reading it. Metaphorically, revealing the trick here means she'll do something different in the real performance, of course. But if you steer in different directions within one story, from the viewer's perspective, it becomes unclear "what is this story about?" "how should I feel?" It's like showing off your ego in a bad way, or just wanting to show off your skills. It's amazing that she's still surviving, but how will she fix it before the main competition...
カンナ、可愛いやんけ
腕組まれて「カンナちゃんすごいドキドキしてるじゃん」は冷静すぎないか？
普通におっぱい当たってることに気ぃとられるだろ
…けどおっぱい当たってるんですけど〜！みたいなリアクションされるとキモさが勝つのでこれでいいなとも思う
てか心拍わかるレベルなんだとしたら相当胸押し当てられてないか？
Kanna is so cute. Isn't Kanna being so calm when she's got her arms crossed and saying "Kanna-chan is so nervous"? Normally, you'd be distracted by the fact that your boobs are touching... But if she reacted like "my boobs are touching!", it would be too gross, so this is good. But if she can feel her heartbeat, then she must be pressing her chest against him pretty hard, right?
めちゃめちゃクロロvsヒソカでワロタ
露骨なのもそうだけど、こういう立ち姿がどう見てもハンターハンターなのとかクソおもろい
ハンターハンターっぽさって何なんだろうな
I laughed so hard at the Chrollo vs. Hisoka thing. It's not just blatant, but the way they stand is just like Hunter x Hunter, it's so funny. What is it about Hunter x Hunter-ness?
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ちゃんと絵がカッコよくて良いぞ
目的達成のスッキリ感もあったし、エトピリコがちゃんとびっくりした顔してるのが強くなった感出てて良かったです
あと炎と氷の間ってフレーズ、氷と炎がワンセンテンスの中に入ってるといよいよゲースロ思い出す（原作が氷と炎の歌なので）
正直途中で雷の国とかそういうの出てくるのかと思ってたけど、現状炎と氷の対立だけになりそうな雰囲気っすね
The art is properly cool and good. There was a sense of satisfaction from achieving the goal, and the fact that Etopirika is properly surprised gives her a sense of having become stronger. Also, the phrase "between fire and ice" reminds me of Game of Thrones (since the original work is A Song of Ice and Fire). Honestly, I thought a country of lightning or something would appear along the way, but it seems like it will only be a confrontation between fire and ice.
学郎が光ったのはもう2回目なので驚きません
けど隣で眩しさのあまり目を瞑ってる七咲が面白くて笑ってしまった
I'm not surprised that Gakuro shined again, but I laughed at Nanatsuki, who was squinting next to him because it was too bright.
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で、なんか育児始まったな
ヨダマとヨカクが何でもありすぎる
戦いながら育児始める展開をプリキュア以外で見れるとはな…
So, it seems like parenting has begun. Yodama and Yokaku are too all-powerful. To think I'd see a development where they start raising children while fighting, other than in Pretty Cure...
召喚のポーズ、絶対狐の窓からきてるじゃん
The summoning pose definitely comes from the fox window.
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元ネタの方の狐の窓はググってください
（後書きで後述しますが）人様のブログにしばらく本ブログを転載する予定なのでネット上の拾い画を使いたくないという都合があるので…
狐の窓は（ちょっと調べただけなので詳しくはわからんけど）江戸時代後期ごろに流行った手遊びです
手を組んで作った窓から外を覗くと妖怪が見える、みたいなやつだったはず
良い設定の割に漫画で見たことないなーと思ってたんですけど、ジャンプでは初めて見た気がする
（一応同名の作品とかは僕が知らなかっただけであったらしいけど）
で、本編について
絵と設定はけっこうすきでしたし、姉の人格を尊重して殺す選択をとるとことか気持ちよくて良かったっすね
けどそこ以外のドラマがあんまなかった気がして、僕は見せ場まで気持ちが乗り切らなかった…
ちょい勿体無い気持ち
Please Google the fox window for the original source (as mentioned in the postscript). I plan to repost this blog on someone else's blog for a while, so I don't want to use images I found online... The fox window is (I only looked it up a little, so I don't know the details) a hand game that was popular around the late Edo period. It's supposed to be something like, if you look through a window made by joining your hands, you can see monsters. I thought it was a good setting, but I've never seen it in a manga before, but it seems like it's the first time I've seen it in Jump (apparently there were works with the same name, but I just didn't know about them). Anyway, I quite liked the art and setting of this chapter, and I felt good about the choice to respect the sister's personality and kill her. But I didn't feel much drama other than that, so I couldn't get excited until the highlight... It's a bit of a shame.
来週への期待がエグい
全く心当たりのないエピソードだし、歴史でちゃんと学んだ人物のはずなのに何も知らないんだな足利尊氏のこと
如意丸の死体にも変なの出てたし、ここから尊氏の神がかりは始まってたりするんだろうか
My expectations for next week are off the charts. It's an episode I have no idea about, and even though he's a character I properly learned about in history, I don't know anything about Ashikaga Takauji. There was something strange about the corpse of Nyoimaru too, I wonder if Takauji's divine inspiration started from there.
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デカすぎんだろ…
サンキューピッチの阿川監督かと思ったわ
こんなデカかったっけこいつ？
まあ元からデカ目ではあったけど
今週の前半の話嫌いじゃなかったけど全部吹っ飛んだわ
She's too big... I thought it was Director Agawa from Thank You Pitch. Was she this big? Well, she was always big-eyed, but I didn't hate the first half of this week's story, but it's all blown away.
終わっちゃった…
今回は耐えると思ってたのに、新連載4本入ってくるのは想定外だ…
今週も面白かったし、最近盛り返してきてると思ってたんだけどなぁあ
復讐の鬼で結構笑ったのと、特務選抜組のポンちゃんが可愛くて良かったです
あと恋人にもならない間から結婚する未来見せられる展開、良いよな
さて、で、打ち切りについてですが
僕的にも好きだったからこそ、明確にキレが悪くなった時期があるのが原因の一つだろうなーとは思います
連載始まってから単行本一巻分くらいは完璧と言って良い滑り出しだったと思うし、10話の伴初登場回は「平成の余熱」Twitterでも話題になったんですけど…
初めが良すぎた分上がったハードルを越えれずに読者が離れた感を感じました
とはいえ一年半くらい続いてますし、新しいキャラと舞台を用意した方がやりやすいって判断もあるかもですけどね
沼駿先生好きなので帰ってきて欲しいです
It's over... I thought it would last this time, but the arrival of four new series was unexpected... It was interesting this week too, and I thought it was making a comeback recently. I laughed a lot at the revenge demon, and Pon-chan from the special selection group was cute and good. Also, the development of showing a future where they get married before they even become lovers is good. Now, about the cancellation, I think one of the reasons is that there was a clear period when it became less interesting, which is why I liked it. I think the start of the series was perfect for about one volume, and the Ban's first appearance in chapter 10 was a hot topic on Twitter as "the afterglow of the Heisei era"... I felt that the readers left because the hurdle was raised too high because the beginning was too good. However, it's been going on for about a year and a half, and there may be a judgment that it's easier to prepare new characters and a stage. I like Mr. Numa Shun, so I want him to come back.
さて、今週の後書きはタイトルの通り
「生成AIなんでも展示会」「アラビア書道」「EXPO’70パビリオン」の3本だてです
Now, this week's postscript is a three-part series on "Generative AI Exhibition," "Arabic Calligraphy," and "EXPO'70 Pavilion" as the title suggests.
Discordで知り合った友達にめちゃ技術力のある人がいて、その人とAIを使って面白いことしてる人を見に行こう！あわよくばアイデアをもらおう！という話になって行ってきました
全体通しては、「コードも全部AIが書いてくれました」と、よく聞くフレーズの通りで、開発コストのハードルは低いくなってるんだなと思う一方
中でも面白かったり価値が生まれそうなことをしてる人は発想の仕方が明らかに優秀だったりして、ほんとに誰でもできるかと言われるとまだまだノーだなと言った印象
一枚絵とモーションキャプチャで、超高いクオリティでキャラが踊る動画を作るやつとか結構感動しました
僕に関わりあるところだと競馬予想AIだとか（僕がGPTに適当に読ませてるやつは現状一回まぐれ当たりしただけなんだけど、出店してた人はその日のレースプラスになってた）
あと1番関係あるのは多言語翻訳ブログを紹介してもらったことですね
https://note.com/tomolld/n/ne10621be0b58
出展者の方と話して面白そうだったので、しばらくこっちにも転載します
ヤブキモオタ日記国際展開
世界取りに行きます（現状このブログは月に500PVもついてませんが）
I have a friend I met on Discord who has amazing technical skills, and we went to see people who are doing interesting things using AI! Hoping to get some ideas! Overall, it was as I often hear, "AI wrote all the code," and I thought that the hurdle of development costs is getting lower. On the other hand, the people who were doing things that were interesting or likely to create value had obviously excellent ideas, so I got the impression that it's still not something that just anyone can do. I was quite impressed by the ones that created videos of characters dancing with super high quality using a single image and motion capture. In areas that I'm involved in, there's AI for predicting horse races (the one I'm having GPT read at random has only hit by chance once so far, but the people who were exhibiting had a positive return on that day's races). Also, the most relevant thing is that I was introduced to a multilingual translation blog. https://note.com/tomolld/n/ne10621be0b58 I talked to the exhibitor and it seemed interesting, so I'll be reposting it here for a while. I'm going to take my Yabuki-esque Otaku Diary international and conquer the world (currently this blog doesn't even get 500 PV per month).
民博の展示です
企画展なようなそうではないような
常設展示の原画コーナーの奥にあるスペースでやっていて、分量はそこまで多くなかったんですけど結局1時間半くらい見てました
まずアラビア文字がよくわからんのですが、その勉強から始まるような展示構成と、友達が結構気がつくやつなのであーだこーだ言いながら見れました
中でも面白かったのは数字ですね
アラビア文字って右から左に読むのは有名ですけど、数字は僕らが普段書いてるような順で書くっぽいんですよ
小学生向けの教材っぽいのを必死に見てた感じ、書き方は右から左へ桁が大きくなっていく見慣れたものなんですけど、読み方も右から左、つまり一の位から読み上げていくっぽいです
なんでも鑑定団方式ですね
なんでも鑑定団はエンタメだから良いけど、先に一番大きい位を読んで回らないと規模感掴めなくて困らないか？ってとこらがめちゃ疑問でした
で、縫い物とか、建物の展示があり（縫い物してる人がめちゃ書体にこだわり持ってて面白かった。日本人的にもどのフォントがかっこいい、ダサいとかあるけどやっぱアラビア語圏の人にもあるんだ）
肝心の書道ゾーンは展示の三分の一くらい
コーランの一節から文字を書き出してるのがらしくて良かったし、あと普通に文字としてかっ良かったです
梵字ってかっこいいけど、あれと近いよなとか思ったり
あと、簡単な図形を組み合わせたような絵（船と月とか）の、図形の中を埋めるように文字を書いてるタイプのものも多かった
書道と一口にいっても形式があまり決まってなくて、文字書いてれば何でもOKっぽい感じで面白かったです
It's an exhibition at the National Museum of Ethnology. It's in a space in the back of the permanent exhibition's original artwork corner, which feels like a special exhibition but isn't quite. The amount wasn't that large, but I ended up looking at it for about an hour and a half. First of all, I don't understand Arabic script very well, but the exhibition was structured to start with learning about it, and my friend is quite observant, so I was able to look at it while saying this and that. What I found most interesting was the numbers. It's well known that Arabic script is read from right to left, but numbers seem to be written in the order we usually write them. I was desperately looking at something that looked like a textbook for elementary school students, and the way of writing is familiar, with the digits increasing from right to left, but the way of reading is also from right to left, meaning you read from the ones place. It's like the Appraisal Team method. The Appraisal Team is good because it's entertainment, but I was very curious about whether it's difficult to grasp the scale if you don't read the largest digit first and go around. There were also exhibitions of sewing and buildings (I found it interesting that the person doing the sewing was very particular about the typeface. Japanese people also have opinions about which fonts are cool or uncool, but people in the Arabic-speaking world also have them). The calligraphy zone, which is the main part, was about a third of the exhibition, and it was nice that they were writing out passages from the Koran, and it was also just cool as writing. I thought it was similar to Bonji, which is also cool. There were also many types of pictures (like ships and moons) that combined simple figures, with letters written to fill in the figures. Calligraphy doesn't seem to have many fixed forms, and it was interesting that anything seems to be OK as long as you're writing letters.
ついでに行ってきた
万博記念公園の中にある施設で、今年の万博に際して、55年前の万博の様子の展示をしてた
面白いものいっぱいあったけど、中でも万博スタッフの衣装がめちゃ良かったです
当時の未来感を少し感じる衣装がどれもカッコよかった
あとキリスト教パビリオンが存在してたこととか、ソ連館が100メートルもあったこととか、知らなくて面白いことが盛りだくさんでしたね
疲れててざっくりしか見れなかったのでまたちゃんと見に行きたい
と、こんなところで終わります
来週は競馬とテニスだけなので久しぶりに後書きあっさりだと思います
ではまた来週！
I also went to the facility in Expo Commemoration Park, which is exhibiting the state of the Expo 55 years ago in light of this year's Expo. There were many interesting things, but the staff uniforms from the Expo were especially good. All of the costumes had a sense of the future at the time and were all cool. Also, I didn't know that there was a Christian pavilion or that the Soviet pavilion was 100 meters long, so there were plenty of interesting things. I was tired and only saw it roughly, so I want to go see it properly again. I'll end here. Next week will only be horse racing and tennis, so the postscript will be brief for the first time in a while. See you next week!