昨日適当に作った大根と鶏の辛味噌炒めが美味すぎて感動してます
適当に切った大根と鶏を炒めて、味噌とみりんと唐辛子を放り込んで焦げ付かないようにさらにしばらく炒めるだけなので超簡単なのでおすすめ
味噌を使った料理はあんま失敗しないし健康にも良さそうなのでアツい
ジャンプ感想書いていきます
I'm still amazed by how delicious the spicy miso stir-fry of daikon and chicken I made casually yesterday was. It's super easy – just stir-fry chopped daikon and chicken, throw in miso, mirin, and chili, and keep stir-frying until it doesn't burn. I highly recommend it. Dishes with miso are rarely a failure and seem healthy, so I'm fired up to write my Jump impressions.
目次
回撃のキナト
ワンピ
アンドク
さむわん
モジュロ
バチ
アオハコ
あかね
鵺
逃げ若
後書き
Next: Gekishin no Ki, One Piece, ANDOCK, SAMUWAN, Modulo, Bachi, AoHako, Akane, Nue, Nigewaka, Afterword
なろうのコミカライズ？
前作がふわふわしてよくわからない作品だったからこれくらいわかりやすい方がいいのかもだが…なろう系好きじゃない僕的にはちょい残念
今回だと整体ってフレーズの、気の抜け方と強さのギャップが面白い、みたいな作品って（タイトルしか見てないけど）多い気がするんですが、これってルフィがゴムなのに強い！って部分を切り抜いてできた作品なんだろうか
そもそも、オシャレかっこいい能力のキャラばっかりが主人公って市場で初めて輝ける設定な気がするけど、ジャンプにはすでにルフィと時行がいたりするし、このに作品は能力の一点張りで面白いわけでは全然ないんだよな
まあ似た作品がたくさんある時点で、一定の需要はあるのかもしれませんが
少なくとも僕は主人公の能力が弱そうだからってだけで面白いと思うことがあんまりないので、これだけだとノットフォーミーだなーとなってしまうなという感想だった
あと特別触れることといえば絵が上手いなぁとジエンみたいなキャラは作者好きなんだろうなーってところくらいか
Is this a manga adaptation from Narou? My previous read was a bit vague and hard to grasp, so maybe something this straightforward is better. However, as someone who doesn't particularly like Narou-style stories, it's a bit disappointing. It feels like there are many such stories where the appeal is the gap between the phrase 'body alignment' and its surprising power (though I've only seen the title). Is this perhaps a work derived from isolating Luffy's 'he's rubber yet strong!' aspect? In the first place, I feel like settings where only characters with stylishly cool abilities can shine in the market, but Jump already has characters like Luffy and Toki. This series isn't interesting solely due to its abilities. Still, given the abundance of similar works, there might be a certain demand. At least for me, a story isn't interesting just because the protagonist's ability seems weak, so this alone isn't for me. My impression is that the art is good, and characters like Jien suggest the author has a preference for them.
久しぶりに現代に戻ったので状況整理でしたね
悪魔がハラルドを殺したってところはあえて嘘つくの謎だなーとは思ったけど
よくよく考えるとあながち嘘でもないし、あのややこしい状況を説明するよりはいいのかもしれん
It was time to sort things out since we returned to the present. I found it strange that they deliberately lied about demons killing Harald, but on second thought, it's not entirely untrue. Perhaps it's better than explaining the complicated situation.
チワちゃんかわいいな
まあ2話だし、まだキャラ紹介しつつ主人公の立場のなんとなくの整理ですね
Chiwachan is cute. Well, it's only the second chapter, and it's still introducing characters while vaguely establishing the protagonist's position.
今回のくらげの大喜利聴きたかったっすね
もしかしたら自分が観察されてたの気づいたかもしれないのに
そこを聞き流すのがミメイの隙なんだろうけど
I wanted to hear Kurage's Oogiri this time. Maybe Mimi had realized she was being observed but chose to ignore it, which is her weakness.
まず扉絵がめちゃくちゃかっこいい
で、内容ですが虎杖がバカみたいに強くなっててテンション上がりました
赤血操術だけでなく、確信を持って（おそらく狙って）黒閃出せるし、解は宿儺レベルだし
全然ダブラにも勝てたんじゃないかこれ
虎杖の「どうでもいい」発言も少し真意が見えてきましたね
死ななくなった代わりに忘れられようとしてたのか？
物語の表舞台には出て来ずに、元寇の時の神風とか、そういう存在になろうとしてるのか？
感想で書いたか忘れたけど、天元ってカリヤンなのでは？っめちょっと思ってたんですよね
人間だからおそらく一般人に見えるし実態もあるけど、性質は呪霊に近いって
ルメルにとってはカリヤンは神なわけで、虎杖はまさに神になりかけてるのかもしれない
逃げ若で言ってた話じゃないけど、神に頼らず人の力で問題は解決すべきだから、虎杖は解決しようとする人にそっと手を貸すだけ、みたいな
先生はおそらく五条を指してるとは思うけど、ここまで強さが飛び抜けてしまうと宿儺戦以前の五条と似た心境になったりしてるんだろうか
本編で「これでいいんだよね」のアンサーになりそうなこと言ってたっけ？
あと珍しく予想が当たってダブラが術式反転使い出した
「ならばどうする」ってフレーズは、真人の領域の時のフレーズを意識して使ってるだろうし、来週はもう領域見れるの確定だろ
真剣は呪力完全に捨てたっぽいな
里香の「頑張れ」は本編オマージュの意味もあるとは思うけど、これのおかげでちょっと真剣の気持ちが窺い知れる気がする
マルとの勝負はやっぱり自分の力で決着つけたかったんじゃないか？
そもそも里香の力を借りて勝ったら、指輪を返すために強くなるって誓いを考えると本末転倒だし
最後は今を生きる人間の力でって意味でも、虎杖の行動と矛盾しない展開になる気もする
外れてそうな深読みをすると
序盤からとにかく社会問題をピックアップして作品を作ってたことを考えると、「現代の問題を解決できるのは若者だけ」っていう、少年漫画では嘘みたいに描かれている事柄を大真面目に伝えようとしてる漫画にも読めますね
難しいことは上の代がなんとかしてくれるだろって考えを読者に意識させる意味でも呪術廻戦の続編としてやる意味も出てくるし（企画の根っこは宇宙人vs呪術師みたいだし、少なくとも後付けであることはほぼ間違いないけど）
そういえばドゥーラが「宗教の問題はなんだか難しそうだからわからんって思われがち」みたいなこと言ってたけど、宗教だけに限らない話なのかも
First off, the color page was incredibly cool. As for the content, I was excited to see Itadori become ridiculously strong. Not only his Blood Manipulation, but he can confidently use Black Flash (likely intentionally), and his Domain Expansion is on Sukuna's level. Couldn't he have beaten Dabra easily? Itadori's 'It doesn't matter' line also revealed a bit of his true intention. Has he become forgotten in exchange for not dying? Is he trying to become something like the divine wind during the Mongol invasions, existing in the background rather than the main stage? I might have written this in my impressions, but I've been thinking that Tengen might be Kariyan. As a human, he probably looks like an ordinary person and has a physical form, but his nature is close to a curse spirit. To Rumer, Kariyan is a god, and Itadori might be on his way to becoming a god. It's like what they said in Nigewaka – problems should be solved by human power, not by relying on gods. So, Itadori might just be offering a helping hand to those trying to solve problems. The author probably means Gojo, but when strength reaches such an extreme, he might be in a similar state of mind as Gojo before the fight with Sukuna. Did he say anything in the main story that could serve as an answer to 'this is fine, right'? Also, my prediction surprisingly came true: Dabra started using Reverse Cursed Technique. The phrase 'Then what shall we do?' is likely a callback to Mahito's Domain Expansion, so seeing the Domain next week is confirmed. Maken seems to have completely abandoned his cursed energy. Rika's 'Do your best' is probably meant as an homage to the main story, but thanks to this, I feel I can glimpse Maken's feelings a little. Didn't he want to settle the match with Maru through his own power? After all, winning by borrowing Rika's power would be counterproductive to his vow to become stronger to return the ring. In the end, it also feels like a development that aligns with Itadori's actions in terms of 'living in the present with human power.' If I were to make a wild guess, considering how the series has focused on social issues from the beginning, it could be interpreted as a manga earnestly trying to convey the idea that 'only the youth can solve modern problems,' something that is unrealistically depicted in shonen manga. It also serves to make readers consider the idea that 'older generations will take care of the difficult stuff,' giving it a reason to exist as a sequel to Jujutsu Kaisen. (The core concept might be aliens vs. sorcerers, and it's almost certainly an afterthought). Speaking of which, Dula mentioned that 'people tend to think that religious issues are too difficult and they don't understand,' but perhaps this applies to more than just religion.
どこまでもチヒロが主人公ですごい
今回は座村と明無良が互いに構える見開きだけでも見応え抜群だったし、モノローグのかっこよさも二人の格に見合うモノだったんだが
モノローグが座村と明無良を語るものだと思いきや、それを見つめるチヒロを表現するためのモノローグだったという裏切り
痺れましたね
チヒロが主人公の物語なんだからこうでなくては
ボコボコに負けてなお再起を計るチヒロがカッコ良すぎる
こないだの明無良もだったが、セリフじゃなくて行動でかっこよさを示してくるな
チヒロが何度傷だらけになっても良いと言ってたのは言葉だけじゃなかった
極限状態の今だからこその説得力がある
ここで今日の一句
『「勾罪」を 曽我明無良を 斬るために』
Chihiro remains the protagonist, undeniably. This chapter was visually stunning, with just the spreads of Zamura and Amura facing each other being impressive. The coolness of their monologues matched their stature. However, the twist that the monologues, which seemed to be about Zamura and Amura, were actually describing Chihiro observing them was breathtaking. This is how it should be in a story centered on Chihiro! Chihiro, after being thoroughly defeated, is still planning a comeback – that's so cool. Like Amura in the previous chapter, he shows his coolness through actions, not words. Chihiro's words, 'It's okay to be injured over and over,' weren't just empty promises; they hold a strong conviction in his current extreme state. Today's haiku: 'To cut / Soga Amura / For Kouzai'.
雛…こんなのってないよな
なんか匡とバトったら大喜が勝手に整理つけて完全敗北って、そんなことあるかよ
流石にもうやることないか？
Hina… This can't be happening. It's like Kyo and I fought, and Daiki just decided everything on his own and completely lost? Is that even possible? Is there really nothing left to do?
禄郎の高座楽しみだ
なんやで年上のつえぇやつはかっこいいからな
あかねがどれだけ強くなってもちゃんと上に強い兄さんがいるのが嬉しいっすね
I'm looking forward to Rokuro's performance. Older, stronger guys are always cool. I'm glad that no matter how strong Akane gets, he still has strong older brothers.
最近呪術のOPのオマージュ元を示した投稿に「オマージュされててすごい」とあり「もはやオマージュの意図とか関係なくただオマージュされてるからすごいという謎の領域に達してきた」みたいなやりとりがX上で出回っていましたが
確かにすごいすごくないの軸で語ることは間違ってる気はするけど、実際オマージュの意図とかどうでもよくて気づけたこと自体が楽しいという謎解き的なエンタメは存在するよなと思うわけです
なんでこんな話をしたかというと、鵺のモブもそういうものなんじゃないかと思ったからで
別に隠されてもないし、よくあるツッコミ不在系のボケだと言えばそれまでなんですが、ボケとしては主張が薄いのでなんか面白いものに気付けた感あるんだよな
これとかこれとか
Recently, a post on X showed an homage to the Jujutsu Kaisen OP, and someone commented, 'It's amazing that it's being referenced,' leading to a discussion about how it has reached a point where 'it's amazing simply because it's referenced, regardless of the intent of the homage.' I agree that discussing it in terms of 'amazing' or 'not amazing' is misguided, but there's a type of entertainment that's like a puzzle, where the joy comes from noticing the reference itself, irrespective of its intent. I'm bringing this up because I think the background characters in Nue might be similar. They aren't exactly hidden, and you could just dismiss them as common gags without any real punchline. However, because the punchline is weak, there's a sense of discovering something interesting. Like this, and this...
謎解きどころかなぞなぞみたいなもんだけど、今週もわけわからんモブいるなと気づくと嬉しくなる
なんやかんや言ったけど、僕が今風の崩れた言葉遣い風のセリフ言ってるキャラが好きなだけ説はある
あざます！人魚達！も好き
ところで僕はロリかわいい夜麤卵ちゃんが好きだったのだが、成長してしまってちょっとショック
デジモン方式で戻ってくれたりはせんかの
It's less like solving a puzzle and more like a riddle, but it's still fun to notice the weird background characters each week. Despite everything I've said, it might just be that I like characters who use modern, slang-filled dialogue. Thank you! I also like the mermaids! By the way, I used to like the cute loli Yoitoran-chan, but she's grown up, which is a bit of a shock. I wonder if she'll go back to being a child like in Digimon?
最近「世の中が悪いから私は不幸なんです」といったことを宣う輩にネットで出会ってしまったのだが、時行を見習ってほしいな
勝利条件を変えて楽しく生きて楽しく死ね、はかなり良い教えだなぁ
尊氏へのバトンタッチのセリフもカッコよかった
実際は普通に負けただけなんだけど、勝ち逃げ感あって痛快
あと今週は解説も良かったっすね
尊氏をはじめ、南北朝時代の人物の印象って全然なかったけど、逃げ若の連載を通じてとっかかりができていったことに感慨深くもなりました
僕は歴史の研究どころか高校から碌な歴史をやってないから、解説の本郷さんの感動の何分の1かという程度だけども
余談だけど、焼死は個人的嫌な死に方ランキングかなり上位なので、綺麗な反面普通にキチイ死に方だな…
Lately, I've encountered people online who say things like, 'The world is bad, that's why I'm unhappy.' I wish they could learn from Toki. 'Change the win condition and live happily, die happily' is quite good advice. The line passing the baton to Takauji was also cool. Although he actually just lost, it felt like a satisfying escape. The commentary this week was also excellent. I didn't have much impression of the figures from the Nanboku-cho period, including Takauji, but through Nigewaka's serialization, I've gained an entry point, which is quite moving. I haven't studied history properly since high school, so my feelings are perhaps a fraction of Hongo-sensei's emotions. As a side note, being burned to death is personally very high on my list of unpleasant ways to die, so while it was depicted beautifully, it's still a truly horrifying way to die...
鳥展が大阪に来るのが楽しみ
東京での展示にあたって、YouTubeに公開されていたシンポジウムがおすすめに流れてきて全部見ちゃいました
六式の剃みたいな移動法を使って求愛する鳥もこれで知りました
https://video.mainichi.jp/detail/video/5714073025001
三月〜四月の間に行こうかなと思ってます
例の如く今週末も何もしてないので終わります
暇なうちにネトフリ契約してストレンジャーシングスをいい加減見るべきかも
ではまた来週〜
I'm looking forward to the bird exhibition coming to Osaka. For the Tokyo exhibition, I was recommended a symposium video on YouTube and ended up watching it all. I learned about birds that court by using a movement method similar to 'Soru' from Six Powers. I'm planning to go sometime between March and April. As usual, I did nothing this weekend, so this is where I'll end. While I have free time, I should probably subscribe to Netflix and finally watch Stranger Things. See you next week~
