競馬飲みをして馬鹿みたいに負けました
楽しかったからギリ許してますが辛かったです
ジャンプ感想書きます
I drank and gambled on horse racing and lost like an idiot. It was fun, so I barely forgive it, but it was painful. I'll write my Jump impressions.
目次
モジュロ
イチ
サカモト
あかね
さむわん
ウィッチ
國獄のマガマガ
バチ
アオハコ
逃げ若
ゴンロン
鵺
ひまてん
オテル
後書き
Table of Contents: Modulo, Ichigo, Sakamoto, Akane, Samawan, Witch, Kunigoku no Magamaga, Bachi, Ao no Hako, Nige Waka, Gonron, Nue, Himaten, Othel, Postscript
面白すぎる
僕的にはずっとモジュロが難しいテーマを扱いながらそれを面白く仕上げる技量に燃えてたんですが、ここにきて純粋に呪術廻戦としての面白さが出てきて感動してます
魔虚羅は予想してなかったなぁ
憂花の術式十種影法術だったんかよ
確かに狗顎爪とか玉犬の力を自分に宿した闘い方と言えなくもないのかもだが
この術式、術者がどんなに弱くても最悪の事態に爆弾として使えるのが改めてヤバすぎるな
ダブラとの戦いはもっと悲惨なものになると思ってたけど、突如勝ちの目が出てきたな
宿難級だとしても火力次第では攻略不可能な式神だしな、魔虚羅
今回で光への適応はされそうなので、殺意がどんな術式なのかだなぁ
攻略不能かもとは言ったが死ぬほど火力ありそうだし魔虚羅ワンパンも余裕感ある
It's too interesting. Personally, I've been excited about Modulo's ability to handle difficult themes while making them interesting, but here, the pure Jujutsu Kaisen-like fun has emerged, and I'm impressed. I didn't expect Mahoraga. Is Yuuka's technique the Ten Shadows Technique? Certainly, you could say that the way he fights, incorporating the power of the Dog Claws and Jade Hounds into himself, is a form of it, but this technique, even if the user is weak, is too dangerous as a last resort. I thought the battle with Doubra would be more tragic, but suddenly, there's a chance of winning. Even if it's a Sukuna-level shikigami, it's impossible to defeat if the firepower isn't there. Mahoraga seems likely to adapt to light this time, so it depends on what kind of technique his killing intent is. I said it might be impossible to defeat, but it seems to have deadly firepower, and it feels like one-shotting Mahoraga is easy.
ゴクラク、優しいやつなイメージがついた分、オーバーキルするギャップが良く見えましたスピードタイプとかいう1番裏かいて女衆を殺してきそうなやつを先に殺したのでちょっと安心感あるな
Gokuraku, I got the image that he is a gentle guy, so the gap that he overkill is good. I'm a little relieved because he killed the speed type guy first, who seemed like the kind of guy who would deceive everyone and kill the women first.
プリクラのとこよかった
最近割と真面目な戦闘が続いたから、サカモトらしいアクション見れたのはよかった
I liked the part with the photo booth. Relatively serious battles have been going on recently, so I was glad to see an action scene that was like Sakamoto's.
かなり盛り上がってきた
アクタージュでもやってたおんなじ演目をライバル同士で演じる激アツ展開
気持ち的にこの新章は志ぐまの死神から始まってるので、演目が死神なのも熱い
志ぐまの時の演出が神が勝ってたから、そこにどう対抗するかという意味でもみもの
魁生とあかねの関係が整理されたからこそのアツさもありますね
これまでは雰囲気だけすごそうな感じだったけど、今はあかねと根っこの部分だけが違うからこの距離感なんだとわかって、この2人のライバル関係がすごい見やすくなった
あかねは主人公という性質上、己れ派の芸の要素が入ってくるのは最後の最後だろうな〜
というか、志ぐまの芸は作品派でありながら己れ派みたいな要素はありそうですよね
知らんけど
It's getting pretty exciting. It's a super hot development to have rivals perform the same act that was done in Act-Age. Emotionally, this new chapter starts with Shiguma's Death God, so the fact that the act is Death God is also exciting. Shiguma's performance was better, so it's also worth seeing how they compete with that. The relationship between Kaisei and Akane has been sorted out, so that's why it's so intense. Up until now, it seemed like it was just the atmosphere that was amazing, but now I understand that Akane and he are different only in the root, so this distance is easy to see, and this rivalry between the two has become amazing to watch. Akane, due to her nature as the protagonist, will probably only incorporate elements of her own style of art at the very end. Shiguma's art seems to be a work-based style with elements of her own style, though, but I don't know.
ちゃんと話は進むし、都合よく主人公は甲子園に絡まないとシビアな部分もありつつ、おみくじでラブコメ的に美味しい要素もあり
今回も満足度高かったですね
今更ながらここまで全然ボケ数も質も落ちないのすごい
信成の野望好きでした
The story progresses properly, and there are severe parts where the protagonist doesn't get involved in Koshien in a convenient way, but there are also love comedy-like delicious elements with the omikuji, so I was very satisfied this time as well. Now that I think about it, it's amazing that the number and quality of jokes haven't dropped at all. I liked Nobunari's Ambition.
樒との対面緊張感あってよかった
特にスマホで船のこと調べる前だったのとか、結構生々しい緊張感でよかった
こういうこと日常でもなくはないよな
昔、友達の家で友だちがトイレ行ってる間にToLOVEる読んでた時とか、ToLOVEる読んでたら自室に親が急に入ってきた時とか、「見られたか！？」って緊張感走るし
ともかく、実はコメディ的な視点が生きた緊張の演出なのかもしれないと思いました
The meeting with Shikimi was tense and good. Especially before searching about the ship on her phone, it was a pretty raw tension, which was good. These things happen in everyday life too. Back when I was reading To LOVE-Ru at a friend's house while my friend was in the bathroom, and my parents suddenly came into the room, I felt a tension of 'Did they see it!?' Anyway, I thought that maybe it was a tension production that made the most of the comedic perspective.
絵綺麗だし読みやすかったっすね
あとなら孫みを感じた（変身怪異ヒーローだからかもだけど）
普通におもろかったっすね
ヒロインの良さはあんま見れてなかった気がするからここだけ心残り
剣のビジュアルとか好きだった
The art is beautiful and easy to read. Also, I felt like I was seeing my grandchild (maybe because he's a transforming monster hero). It was just plain interesting. I feel like I didn't see the heroine's goodness that much, so that's the only thing I regret. I liked the visual of the sword.
勾罪抜刀、最高でしたね
初めはページ数あったらもっと大きくコマ使ってたのかな？って思ってたけど、読み返すとこれはこれでいいなと思った
明無良の静かさと蝶の破壊のギャップが良かったまである
わざわざ着替えるとことか良かったっすね
脱いだスーツをわざわざ畳んでるとことか、そもそも謎のこだわりを見せてるところとか、めちゃくちゃ人間臭い
ヨハン・ホイジンガは『ホモ・ルーデンス』にて人間の本質を遊戯に見出したそうですが、着替えるシーンなんかはまさにだよなと思う
勾罪の虫から連想するような、システマチックである種無生物的な様子とはかけ離れてて、こういう意味でもギャップがあっていいなぁ
座村に「かっこいいな」とか言ってみたり
しれっと四つ目の能力も使用
大方の予想通り、蝶はそらあるよな
まだ手札あるのかな
当たり前の脳に浮いてるのも気になるし
ボルテージ上がってきましたね
Guuzai Battou, it was the best. At first, I thought that if there were more pages, they would have used bigger panels, but after rereading it, I thought this was good as it is. The gap between Akenashi's silence and the butterfly's destruction was even better. It was good that he bothered to change his clothes. Folding up the suit he took off, and showing his mysterious obsession in the first place, is very human. Johan Huizinga seems to have found the essence of human beings in play in 'Homo Ludens,' but the scene where he changes clothes is exactly that. It's far from the systematic, kind of inanimate appearance that I associate with Guuzai's insects, and in this sense, there's a gap, which is good. He said 'Cool' to Zamura, casually used the fourth ability, and as expected, there's a butterfly. I wonder if there are still cards left. I'm also curious about what's on his mind, and the voltage is rising.
恋愛抜きの青春、良いっすね
冒頭のポエムもグッド
今回の話関係なく、世の中の理不尽でうまくいかないもんなので、そことちゃんと折り合いをつけて生きてる様が僕は好きなんですよね
今週はまさにって感じで良かった
Youth without romance is good. The poem at the beginning was also good. Regardless of this week's story, the world is full of unreasonable and unsuccessful things, so I like the way they live while properly compromising with that. This week was exactly like that, and it was good.
家族が狙わられるのなかなか怖いっすね
一応シイナと亜也子は強いけど、この世界は1人で軍をどうにかできるほどの個を描いたことはなんやでないし
It's pretty scary when your family is targeted. Shia and Ayako are strong, but this world hasn't depicted an individual who can do anything with an army on their own.
ゴンロンだけじゃなくオテルもイチも、最近は序盤に主人公のオーバーパワー暴走が流行りかもしれん
呪術が2巻で宿儺と五条の大立ち回りを描いて人気が出たのは結構影響与えてそうだよな〜
別に最近始まったことでもないから、呪術が起源だという話ではないんですが、少なくとも最近流行ってるのに影響はあるだろうし、実際真似しやすくて面白くなる展開ではあるからなぁ
でもこんだけやられると食傷気味にもなるよな…ゴンロンは3番目にこれやっちゃったのもあってタイミングも悪かったかも
しばしの暇を
はカッコよかったけどなぁ
絵的にもそこまでキマってるものはなかったし…
ラストのアクションで絵を見せる順番はかなり独特だったなと思いました
巨木が真っ二つになってるコマを斬撃の瞬間じゃなくて、その数コマ後に持ってくるのはなかなかないよな
今週のバチの蝶のシーンとか見たらわかりやすいけど、技発動の後すぐだよなこういうコマって
Not just Gonron, but Othel and Ichi too, recently it might be a trend to have the protagonist's overpowered rampage at the beginning. The fact that Jujutsu Kaisen gained popularity by depicting Sukuna and Gojo's big fight in the second volume seems to have had a significant impact. It's not like it just started recently, so it's not like Jujutsu is the origin, but at least it's had an impact on what's popular recently, and it's actually an easy to imitate and interesting development. But if it's done this much, it gets tiring... Gonron doing this third might have had bad timing. The 'shibashi no hima' was cool though... Also, there weren't that many visually impressive things... The order of showing the art in the last action scene was quite unique, I thought. Bringing the panel where the giant tree is split in two not at the moment of the slash, but several panels later is quite unusual. If you look at the butterfly scene in this week's Bachi, it's easy to understand, it's right after the technique is activated. These kinds of panels are like that.
鵺のこういうしっとりした回も良いんだよなぁ
今週も帰ってこない幸福な時間って感じで良かった
1300前だと奈良時代くらいかな？
空亡に関しては、まあ体育祭の頃から別に悪いイメージはなかったけど、過去編見ると結構切ないな
こんな人間好きそうなのに、今仮にも敵対してるのはなんなのかめちゃ気になる
I like these mellow episodes of Nue too. This week also felt like a happy time that won't come back. If it's before 1300, it's around the Nara period? Regarding Kuubou, well, I didn't have a bad image of him since the sports festival, but seeing his past, I feel pretty sad. He seems like someone who likes people, so I'm very curious about why he's currently opposing them.
カンナの顔面鑑賞会として非常に満足
過去のコマの切り抜きが使われてるページを見ると、この一年でめちゃ絵柄可愛くなったなと思うところ
I was very satisfied with it as a Kanna's face appreciation session. Looking at the pages where cutouts of past panels are used, I think the art style has become much cuter in the past year.
氷王出てきたのいよいよ終わり感あるな…
今回普通に良かったしコーレリオはやはり良いキャラなんだが
The Ice King came out, it feels like it's finally ending... This time was just plain good, and Corelio is still a good character.
ケントゥリアを勧められて読み始めました
序盤で読むのやめてたんですが、続きを読んでいくと結構僕が好きな作品を彷彿とさせる多くて悪くなかったです
ラクラマってキャラが可愛いなと思って読んでたですが、どこかで聞いたことある名前だなと思って調べているうちに、ラクリマというブドウの品種があることが判明（ちなみに僕が以前見聞きしたものはフェアリーテイルだった）
年始に勧めてきた友人とワインを飲む会をするため、ラクリマで作ったワインを購入しました
年始が楽しみ
そんなこんなで終わります
バチとモジュロの盛り上がり的に今から年末年始の合併号が憂鬱です
また来週〜
I was recommended to read Centuria and started reading it. I stopped reading it in the beginning, but as I continued reading it, it reminded me of many of my favorite works, so it wasn't bad. I was reading it because I thought the character Rakurama was cute, but while researching it because I thought I had heard that name somewhere, I found out that there is a grape variety called Lacrima (by the way, what I had seen and heard before was Fairy Tail). I bought wine made with Lacrima in order to have a wine-drinking party with the friend who recommended it to me at the beginning of the year. I'm looking forward to the beginning of the year. With that, it ends. With the excitement of Bachi and Modulo, I'm depressed about the New Year's holiday combined issue from now on. See you next week~
